Tell us about your upbringing (family, where you grew up, etc.) and how that sparked your love of the film/acting/writing.
I was born in Jaffna and immediately got separated from my family during the political unrest. My aunts and cousins raised me until I was seven. Then I moved to Canada, where I finally met & lived with my parents and seven older siblings. As the youngest child, it was always tough for me to be heard or seen, so I was a quiet and shy kid for most of my childhood. Then, in grade nine, I was at a crossroads and needed to break out of my shell. This is when I auditioned for the school production of Romeo & Juliet on a whim with no training or practise. I think the director didn’t want to hurt my feelings, so he gave me the role of reading the prologue. Although it wasn’t the lead, just my few minutes on stage having all those eyes on me made me realize that I do have a voice. From then on, I knew I wanted to continue discovering and sharing my voice through storytelling.
How did you get into acting? How did you react when you got the news that you were in “Spin” (upcoming Disney Channel film)?
I did my undergrad in marketing and worked in corporate advertising, then later in the non-profit sector for almost five years. Although I knew I loved performing, I always felt it just wasn’t in the cards for me. Then, while working for the York Region Arts Council, I began connecting with artists of all disciplines from all walks of life who were following their passions. These artists taught me that it wasn’t about success or making money, but rather doing what you feel is your purpose on this planet. That truly made me think about my legacy and the impact I want to make on the world. That’s when I overlooked the lack of representation on stage & screen and started to train. I began to treat my passion as a craft, a skill to be mastered. I have been taking private classes, masterclasses and workshops since 2017, and I continue to do so. Any opportunity to perform I get along the way, I see it as another learning opportunity, but getting cast in “Spin” was something special. I remember being on a walk with my friends when I got the news and screamed in joy. It was my first union project, which paved the way for me to be a full ACTRA member. Beyond that, It was also my first feature film role, and it was the first Disney Channel film with a South Asian narrative.
When you are so close to getting a part in a potentially life-changing role on TV/film but you don’t get it, how do you motivate yourself to keep going?
Rejection is such a big part of this industry, and I had to do a lot of work to learn how to navigate and manage my emotions when they happen. What I do is create rituals. I have a ritual for celebratory successes but also a ritual for acknowledging rejections. So when I don’t book a role I was hopeful for, I would take a walk with no music and talk to myself. I might look like a weirdo on the streets, but I find it very helpful. I talk through my feelings, acknowledge any negative self-talk and work towards reframing them as positive goals for the future. After that, I eat some feel-good food, usually something deep-fried.
Tell us about “The Orchid & The Tree” which recently was screened at the Toronto Reel Asian International Film Festival. What is it about and what inspired you to write this project?
The Orchid & The Tree explores the relationship dynamics of a Tamil daughter and her father after their mother passes. I wanted to explore a South Asian family where communication was complex. In many cases, the power dynamics of parents and children are explored, with the parents holding power. This made me wonder what would happen if the power dynamics were the same? What if they were both just as lost in their lives like the other? What if they were both going through the same loss, the same struggle? Through this film, that’s what you get to see, a father-daughter relationship where they both meet in the middle to help each other out through a tough time.
Which are you more passionate about – acting or writing, and why?
I started in this industry as an actor and will forever be an actor, but although writing is something I discovered later in my career, it has been making up a big part of my life these days. I love the autonomy and freedom I have as a writer. I also don’t write with commercial viability in mind. With acting, by the time the role comes to me, it has been vetted, edited and transformed into something approved by multiple gatekeepers and powers that be. As a writer, I don’t have to worry about what the market wants or what hashtags are trending. I just write the stories I see missing in the world and give them space.
I know historically, the creative arts were often looked down on, in the Tamil community in terms of as a viable career option. How have your family and friends supported you through your journey?
My family, like many others, had my best interest in mind and wanted me to be a doctor. However, when I came forward with my acting aspirations, our happy medium was marketing. Don’t ask me how that makes any sense. Yes, doing a degree and being in the workforce delayed my artistic start by about nine years, but ultimately I was glad I did it. A huge part of being an artist is being an entrepreneur, and I use my management skills every day to find funding, market my content and network. So, to answer your question, once my family saw that I had a degree in the back pocket and had a plan for approaching the arts, they were very supportive. The same goes for my friends. I empathize with those who were hesitant to support me because this career is not for the faint of heart or spirit.
In order to make acting a viable career, you need to make money to sustain yourself. How did you plan this out?
This is the question of the century. Making sense of the financials of this career was probably the most challenging part of it all. I had someone tell me once that it’s a journey, not an overnight change. I don’t know if I’d recommend anyone to quit their day job immediately and jump into the deep end. It’s more of a slow process of learning and changing. I had a full-time day job, and I started with a few classes on the side. Once I booked a few gigs and received positive feedback from casting directors, I knew I should invest more time into training. Since I was making some money, it justified me investing more money for classes. I do this check-in of revenue versus investment in my career a few times a year. It allows me to gauge my growth as an artist and as a creative entrepreneur, so that my expenses always line up with a revenue. After doing this for a few years, I started making enough revenue to quit my job to invest more of my time into training and auditioning. The other side of it is having multiple sources of revenue. Once I realized I had a knack for writing and directing, I started to invest in training in those areas, then later applying for and booking paid opportunities. When one aspect of my career is dry, I focus on the other and keep myself busy that way.
